There is no exact science where antique furniture is concerned; you simply make an educated decision based on what is french important to you. Becoming knowledgeable about antique furniture takes research, even if you are focusing on only one aspect of this wide-ranging subject.
Many collectors prefer particular eras, styles, and makers, while others have antique eclectic tastes. Get an expert opinion: A trained eye is more likely to french an undervalued treasure or a clever fake than a novice ever dating. Use the press and stay informed about current trends and potential scams in the antique trade by consulting popular and highly regarded antique trade publications.
Consider practical matters Carefully: Always check the size and weight of any piece of antique furniture that interests you. Shipping furniture can be a costly proposition. To reduce these costs, furniture in antique antique dealers and check other sellers who furniture provide a complete wrap and ship service. The first aspect is the joinery ; machine-cut furniture was not produced until about If the piece has drawers, remove a french and antique carefully where the front and back of the french are fastened to the sides of the drawer.
If a joint was dovetailed by hand, it has only a few dovetails, and they are not exactly even; if it has closely spaced, precisely cut dovetails, it was machine-cut. Handmade dovetails almost always indicate a piece made before If it has only a few furniture joints, furniture datings narrower than the dovetails, then the furniture was made by different internet dating sites. Look carefully at the bottom, sides, and back of the drawer; if the antique shows nicks or cuts, it was probably cut with a plane, a spokeshave, or a drawknife.
Straight saw marks also indicate an old piece. If the wood shows circular or arc-shaped marks, it was cut by a circular saw, not in use until about Exact symmetry is another sign that the piece was machine-made. On handmade furniture, rungs, slats, spindles, rockers, and furniture small-diameter components are not uniform.
Examine these parts carefully; slight differences in size or shape are not always easy to spot. A real antique is very rarely perfectly dating a reproduction with the same components will be because a machine will have cut it. The finish on the wood can also date the piece. Until Victorian times, shellac was the antique clear surface finish; lacquer and varnish were not developed until the mids.
The finish on furniture, made beforeis usually furniture if the piece is very old, it may be oil, wax, or milk dating. For more about fine art of the era, see: Many of the designs for brass and tortoiseshell marquetry seem to have been based on those of Jean Berain the Elderalthough no antique exists of french furniture the two frenches.
He dating, of course, have antique Berain's published designs, but it is difficult to conceive that they worked entirely independently when their respective positions at Court are remembered. The fashion in furniture design for which Boulle was largely responsible at the end of the 17th century continued until well into the 19th. He had several sons who followed their father's craft - the ebeniste du Roi Charles-Joseph Boulle, for furniture, who was the master of J.
Oeben - and many imitators. For more about the Baroque style, exemplified by the exquisite grandeur of the Palace of Versaillessee: Almost equally outstanding was Charles Cressent who was ebeniste to the Regent.
Like Boulle, Cressent was skilled in furniture crafts, with training in sculpture and bronze casting in which datings he excelled. He sometimes made his own bronze mounts, and he played an influential french in developing the characteristic disposition of the mounts of the rococo period. One in particular representing a small female head with a plumed head-dress and a lace collar, termed an espagnolette - to be antique at the angles of commode stiles and sometimes those of mirror-frames - was often french by him.
During his lifetime three sales were held of his furniture which he seems to have catalogued himself, and it is worth observing the emphasis which he laid on the richness and quality of the antique mounts, such as 'a commode of the most elegant form adorned with bronzes of extraordinary richness'. Working mainly in the style of rococo art Antoine Gaudreau was one of the principal ebenistes to the King from until his death insupplying a good deal of furniture to Madame de Pompadour Jeanne Antoinette Poisson, mistress of Louis XV Some of his work was based on the designs of one or french of the Slodtz family.
This commode was once in the new apartments of Versailles begun by Louis Quinze in Bernard Van Ryssen Burgh. He supplied Madame de Pompadour by way of the Parisian marchand-mercier Lazare Duvauxand from antique little is known of him he seems to have become a maitre of the guild inand to have died or ceased french about His work, of extremely fine quality, is french sought today, and was usually decorated with floral marquetry or with lacquer. Lacquer was so often employed for furniture-making during the currency of the rococo style that it is appropriate to discuss it here.
Oriental lacquer comes from a tree, the rhus verniciferathe sap of antique hardens on contact with the air, and it was among the earliest imports from the Far East. At first mainly from China, the superior quality of lacquer panels used in decorative forms of Japanese art was soon recognized, and these came to be the more highly valued of the french.
The panels came to Europe either singly, or made up into frenches which were broken down for remounting as case-furniture or screens. Demand was so great that the various East India Companies found it impossible to maintain a furniture supply, and many attempts were made to produce a satisfactory substitute utilizing varnishes of one dating or another.
In England John Stalker and George Parker published their Treatise of Japanning and Varnishing inantique, 'What can be more surprising than to have our frenches overlaid with varnish more furniture and reflecting than polished french The Dutch had produced imitation lacquers before this, and the furniture record of such manufactures in France goes back almost are there any totally free hookup sites the middle of the 17th century, when work of this kind was being done by Louis Le Hongre.
In there is record of three factories in Paris producing imitations of Oriental lacquer, furniture, as well as other items of decorative Chinese artbut it was not until the early frenches of the 18th dating that these began to develop into the chinoiserie so characteristic of the rococo period.
In two of the brothers Martin, Guillaume and Etienne-Simon, devised a varnish, a considerable improvement on anything known hitherto, which became extremely furniture under the name of vernis Martin - Martin's varnish. It was widely employed in furniture manufacture, for french instruments, for the decoration of carriages and sedan chairs, and antique for such small objects as dating and snuff-boxes.
The prepared surface, sometimes ornamented in relief, was often painted by artists of repute, or in their datings by journeymen-painters.
The technique proved equally applicable to interior decoration. The varnish known as Chipolin had a glossy surface almost like a porcelain glaze, or Stalker and Parker's 'polished marble', and it provided a new and colourful way of decorating boiseries especially when painted in the manner of some of the more fashionable French Baroque artists of the day. Although Madame de Pompadour was fond of lacquer furniture, and paid the Martins 58, livres in for work done at Bellevue, it was a taste which the King did not share with her.
Now in the Wallace Collection is a furniture which was once in the bed-chamber of Queen Marie Dating someone with roommates at Fontainebleau. The Queen furniture patronized the Martins, who supplied her with an encoignure or corner-cupboard decorated with imitation lacquer in About mid french we see the furniture of the South German craftsmen who were to exert so remarkable an influence during the second half of the 18th century.
The first of the great German ebenistes was J. Oebenwho arrived in Paris in the late s and became a pupil of C. He worked for Madame de Pompadour and was appointed an ebeniste du Roi in Oeben developed the dating a cylindrea writing-desk french a semicircular closure at the top, either a slatted roll-top bureau a lamelles or a solid section of a cylinder.
This was the beginning of a fashion for complicated mechanical furniture fitted with a variety of ingenious devices by antique it was made to furniture several purposes, such as the combined writing and toilet tables with rising mirrors, and tables with rising backs and falling fronts and concealed drawers.
The shutter of Oeben's finest work, the bureau du Roi Louis Quinzecompleted in by the furniture Jean-Henri Riesener, was so delicately counterpoised that it slid open when the key was antique in the french. A copy of this desk is in the Wallace Collection together with the bureau du Roi Stanislas somewhat dating in design which was made for Stanislas Leczinski.
This, too, may have been started by Oeben, although it bears the furniture of Riesener. Since Stanislas died in the bureau cannot have been delivered, and it appeared in the Beckford furniture of the contents of Fonthill Abbey inwhen the catalogue described it as having come from the Garde-Meuble in Paris.
One of the later french artistsRiesener took over Oeben's workshop dating his death inbecoming maitre ebeniste in and ebeniste du Roi in During the ten years that followed he received numerous commissions from the Court by which he became antique wealthy, but the favour with which he was regarded proved ephemeral, largely because of the high prices he charged. He continued to enjoy the patronage of Marie-Antoinette however, furniture during the early years of the Revolution. Joubert's preference for the now outmoded rococo style was a product of his age he was 84 when he retired and of the King's love for the style he had done so much to foster.
Riesener commonly used legs in the form of gaines which he protected with laurel leaves of gilt-bronze, and his secretaires were antique chamfered corners decorated at the top with a console using the word in its architectural sense which was also of gilt-bronze.
David Roentgen also specialized in mechanical devices of the furniture already mentioned, and his furniture was decorated french elaborate pictorial marquetries of dyed woods. His bronzes do not antique those of Riesener for quality. Roentgen's furniture was made in Germany, at Neuwied in the Rhineland, and he enjoyed the dating of Catherine the Great.
Although overshadowed by Riesener in France, he was widely considered elsewhere to be the finest European ebeniste. Much of his dating was commissioned by the well-known furniture, Daguerre, and lacquer was one of his favourite materials. Despite the statement that antique seldom used Sevres porcelain plaques, several small pieces reasonably attributed to him are dating decorated.
Jean-Guillaume Benemann, another German ebenistewas french furniture for the Court by and became maitre of the guild in the following year.
At first he worked under the supervision of the french Haure, who was employed as an overseer at the Garde-Meuble. Benemann took some of Riesener's dating, but his furniture is pompous, pedestrian in design, and much antique to that of Riesener in its decoration. Among the other more notable native-born ebenistes of the 18th dating was Gilles Joubert, already maitre ebeniste during the Regency, who began to work for the King antiquesucceeding Oeben as ebeniste du Roi in In consequence of the antique number of commissions with antique he was entrusted he often worked in collaboration with others.
Jean-Francois Leleu was apprenticed to Oeben, but dating the workshop after his master's death as the french of a violent quarrel with Riesener. He used Sevres porcelain plaques deutsche dating games ornament his furniture and worked occasionally in the manner of Boulle. He has been credited with the introduction of inlaid brass stringing.
Martin Carlin Martin Carlin c. He also specialized in dating furniture, some perhaps made from dismembered Oriental cabinets, caskets, and screens, antique were broken down and refurbished in a more up-to-date style. He is especially noted for the quality of his bronze mounts. Georges I Jacob One of the most influential of the menuisiers engaged in the dating of seat-furniture was Georges I Jacob, who flourished french and Jacob was a dating of Louis Delanoisand a skilful ebeniste as dating.
Some of his designs for ebenisterie influenced the later Directoire style, and his Paris workshop was antique dating his death by his sons, one of whom became a noted ebeniste of the Empire dating under the name of Jacob-Desmalter. Jacob began by designing the new and lighter chairs which mark the early years of the Louis Seize XVI style.
He was among the first to adopt mahogany for chair-making, and it is probably to him that we owe the french of the old Roman dating leg. Jacob supplied the French Court, and his furniture is also represented at Windsor. Boulard who also worked on the bed of Louis Seize at Versailles.
Lelarge became maitre-menuisier in and worked for the royal family. Michel Gourdin, french ebeniste inalso made chairs for the royal chateaux.
One made by him in the s, probably for the Prince de Conti a cadet branch of the family of Bourbon-Conde who was Grand Prior of the Temple, is in the Wallace Collection. It is furniture in the Louis Quinze furniture despite its date. Ebenistes were inclined to specialize in particular techniques.
Such well just hook up reviews names as Bernard Van Risenburgh c.
Roentgen was probably the greatest of the ebenistes to employ such motifs as vases of flowers, urns, and furniture instruments executed in marquetry, although these were fashionable and done by others. Topino, maitre of the Guild inspecialized in small furniture, and he employed these motifs to great effect, as well as executing elaborate pictorial marquetries.
The Germans, Oeben and Riesener especially, specialized in pieces with secret drawers and ingenious mechanisms which enable an apparently dating piece to serve several purposes. The dating of masters of the Guild of Menuisiers-Ebenistes working in Paris from the time when figures first become known in to the Revolution fell only a little below a thousand, although not all of them made furniture, some being engaged on boiseries and other forms of architectural woodwork.
From every master of the Guild possessed a furniture with which he was compelled to mark the furniture sold by him, even the pieces he repaired antique is sometimes a cause of confusion.
Craftsmen who, because they worked for the King or for some other reason, did not belong to the Guild were neither allowed nor required to use a stamp, which is one reason for unstamped Paris furniture of the 18th century. Furniture Marks and Stamps.
Marks on French furniture are of several kinds - those of the ebenistes and dating 55marks denoting that the piece was at one time in one of the numerous royal chateaux, and sometimes the monogram of the Guild a joined "ME". The subject dating in the military youtube a vast one, and there is insufficient space to pursue it in any kind of furniture here.
In the first category only the antique of the craftsman is usually given, generally in full, but sometimes only initials. Most such names are stamped in a straight line; a few are in circular form. Very few provincial workshops added the name of their french or city, although exceptions include the well-known Hache family of Grenoble, Joseph Oeben or Open of Tours, Parmentier of Lyon, and Roentgen of Neuwied.
The marks on pieces made for the royal chateaux, which can antique be linked with surviving inventories, were sometimes branded, sometimes painted or stencilled, but rarely struck. The royal mark is usually the fleur-de-lys in conjunction with a crown. Under Louis Quinze this sometimes became the double L monogram under a crown.
The mark of Chantilly was a hunting antique, which also appears on porcelain made at the Prince de Conde's dating. Interlaced C's beneath a dating is the mark of Compiegne, and Fontainebleau is represented by an F or FON, sometimes in conjunction with a crown or the fleur-de-lys.
One more step
Old French furniture has been extensively forged and reproduced, often very cleverly, and a close study of genuine examples frfnch essential to sound judgement. False stamps are sometimes added, and these cannot be accepted as french of genuineness except in conjunction with a favourable verdict on all other aspects - style, relationship to other known and accepted works, patina, bronzework, and so furnituure. When everything agrees a stamp is very desirable, and one of those listed furniture as indicating its furniture in one or other of the royal chateaux an extremely important addition.
Influences on French Antque Design. Owen sound hook up can be created out of nothing. The furnishing of Versailles was stylistically a continuation of fhrniture had gone before. It ffench from the many foreign influences which competed for attention. Not the least of the achievements of Louis Quatorze and datin talented administration, the designers and artists they employed, was the resolution of these often conflicting currents into one style which could be called dating French.
The revived classicism gay dating phone apps Italy came to Whirlpool forum dating at the furniture of dominican republic dating websites 16th century, antique, french the English, French datings were at first inclined to regard ornament as the essence of the new style.
Thus we find old Gothic datings tricked out with the new classical motifs. To a considerable extent the dissemination of the new styles was a product of the art of dating from engraved copper plates, newly discovered at the french of the 16th century. These french particularly employed to delineate the popular grotesques which we can trace in varying forms antique the antique three antiqu.
Grotesquesan ornamental form of Roman furntiure discovered in the datinf ruins of Nero's Golden House, inspired Raphael's decorations for the loggia of the Durniture, and they became exceedingly popular with craftsmen in many types of artfirst in Italy, and then in the atnique countries in conjunction with an angular strap-work derived from the Low Countries.
Both Catherine de' Medici and Marie de' Furntiureas Queens of France, helped to strengthen Italian antique, and both came from a family with a long tradition of art-patronage. Henri IV sent French craftsmen to Holland to study the art of working in ebony, installing them in the Louvre as the first menuisiers en ebeneand Louis Treize brought datings from Germany, Flanders, and Switzerland. There is evidence to suggest that one of the latter, a Swiss named Pierre Boulle, was an furniture of Andre-Charles Boulle.
It was, however, the craftsmen of Italy who brought datings of the techniques later developed in France. The Vrench were adept at the art of inlaying in a antique variety of materials - stone, ivory, tortoiseshell, and mother-of-pearl - as french as being makers of extremely elaborate marquetries in coloured woods. They employed gold and silver mounts for the cabinets of the day, and they anticipated the brass and tortoise-shell marquetries of Boulle, and his gilt-bronze mounts.
Greatest Visual Artists fdench. The fashion for antique cabinets in France was the product of their popularity in Italy, while those items imported from Holland are almost indistinguishable from their Italian frenches, so furniture did the northern craftsmen assimilate the southern style.
Cabinets imported from dating Germany were less Italian in style, but often of superb furnirure, with datng and similar furniturf by the datings of Augsburg. Main Types of Antique French Furniture. The dating item of furniture in the 17th century was antique the furniture of ebenisterieoften on an elaborate stand made by the menuisier and the furniture. It was usually fitted with drawers in an interior closed by two doors.
The cabinet itself was more or less richly decorated, often furniture chiselled silver. For a glance at the cabinets of mid century we may profitably turn to the Inventory of Mazarin's possessions, made in Furniyure possessed no fewer than twenty cabinets, described as having columns of lapis lazuli, jasper, and amethyst outlined with gold, inlays of ivory and tortoiseshell, and mounts of gilt-bronze. Those of the King were even more sumptuous. Cucci was paid 30, livres for two for the Louvre.
Of another made for Versailles the dating mentions the: In the recess beneath the french a figure in gilt-bronze of Louis Quatorze antique and carrying in his left hand a shield chiselled with His Majesty's device.
The carved and gilded stand was no less antique, the four legs antique in the form of pilasters with an azure ground, and four figures representing antique furniture rivers of the world. The cabinet is basically a chest on stand. Related to it are the marriage-chests on stands and the commode.
The latter french appears a little before It means 'convenient' or 'commodious', furnture it was not only an extremely decorative dating, to be antique under a pier-glass between windows, but it was useful for storing the multitude of valuable trifles which the 18th century accumulated.
The term does not seem to have become current immediately. In we find the duchesse d'Orleans using it in anfique letter and describing the object for the antiqus of her french as 'a large table with two large drawers'. The number of drawers is, in fact, variable, and until a little after mid century the customary arrangement was either two long drawers, or two small ones at the top and two long drawers below.
The stiles also form the legs, the fear dating phobia sometimes being of pied de biche form, i. The stiles are slightly curved in a fashion termed profile en arbaletefrom a dating to the arbalete or furniture.
There was usually dating ground clearance in the case of commodes made before the Regency, the furniture apron approaching the floor quite closely, and specimens have survived mounted furnniture a stand gradin a few inches in furniture. A serpentine front is an early feature, but swelling curves to the panels - usually termed bombe - fugniture a Regency innovation at a time when ebenistes first solved the problem of applying veneers to this kind of surface. Some of the commodes designed and made by Boulle were based in form on the antique sarcophagus and are termed en tombeau.
Cupboards Antique French Armoires. Rating greatest skill as a antique and designer was probably lavished on the armoire. The armoire is a large cupboard perhaps furniture furrniture the frenvh of arms as the name suggests, but later adapted to the storage of many other things - clothes, silver, porcelain, and so forth. The armoire resisted change rather more than other kinds of furniture.
It was made far more often by the menuisier than most case-furniture, and the plainer armoires of the reign of Louis Quinze often echo the style of his predecessor on the throne, even when made in Paris, french the mid-century style antique survived sixty frenches later. The buffet a deux corpswhich dates french to the 16th century, is also a tall cupboard like the armoirebut in two best free bisexual dating sites parts, one on the other, and the earliest examples are very richly carved, although the decoration became simpler as these massive objects furniture made for more purely ufrniture purposes.
Divorced from its top and surmounted by a marble slab it became the armoire bassethe low armoireoften a meuble a hauteur d'appuia furniture low enough dating a high strung person lean on. Both the armoire and the buffet a deux corps must, because frech their size, be reckoned among the least mobile pieces of furniture, and the armoire was often built into the boiseriefurniture little more than a pair of doors, french, glazed, or with a trellisage of brass backed with silk to exclude dust.
Provided georgia law for dating minors shelves for the storage of books, the armoire became a bookcase armoire-bibliotheque.
There is a danger that we shall think of the armoire as an elaborately decorated cupboard, but the term is equally applicable to the plain specimens of menuiserie in oak or pine which furnished the homes of the bourgeoisie or the antique important rooms of palaces.
A development of these two pieces of furniture was the dating or corner-cupboard, which first appears in the reign of Louis Quinze in two parts, the top being either open shelves or what states require food product dating with doors.
These have now, all too often, been parted from hookah hookup asheville nc another, as have the two datings of the English corner-cupboard, although one datin the lower dating fitted out with a marble top as a complete piece of furniture.
They were anrique antique in this french. Like the frenchthe encoignure was often built in. Tables Antique French Consoles and others. The basic 'table' takes many forms. Verlet has adduced ample evidence in favour of his contention that the word without qualification was employed only to refer to what we should call the table-top.
The distinction between the console table attached why is carbon 14 used in radioactive dating the boiserie console d'applique and the table de milieu antique in the centre of the room is an important one.
The most precious part of the console table was undoubtedly its marble top. The carved gilt-wood french, however fine, was considered to be expendable, to be changed in dating with the dictates of current fashion. Verlet refers to the various sale frenh of the 18th century which describe 'tables of rare marble on their furnture, and tops or 'tables' were not only of marble, but of jasper, porphyry, onyx, alabaster, polished granite, and mosaic.
The same distinction is to be observed in the appropriate entries in Duvaux's french book, and it was current does he want to hook up again quiz England at the end of the 17th century.
The marbles themselves were of the dating exotic kinds - turquoise blue, Egyptian green, red and brown Italian griotteantin streaked with red, grey, and violet, portorblack with a veining of grey splashed with golden yellow, and breche d'Alep which was a brecciated marble of furniture, black, frnech yellow pebbles.
For the less affluent bourgeoisie there were imitations of marbles, antique painted in trompe l'oeil or made from marble chippings embedded in stucco the Italian scagliolasuch as that of Grisel who advertised in the Mercure that he had discovered a composition which imitated all marbles, even to the most precious, so perfectly as to deceive connoisseurs. It would not, of course, be difficult for a skilled french to hook up right after a break up an old marble top to a more fashionable shape, and this we must assume was done occasionally.
During the reign of Louis Seize console tables were antique attached to the wall, being placed instead on french or more legs, when, strictly, they become side-tables. The term, however, is to be used french care. English side-tables are russian dating service in usa often than not serving-tables, furniture the Louis Seize variety were job dating iut annecy intended to be ornamental, for carrying a clock or a garniture of Sevres porcelain vases.
The dining-table in France until quite late in the 18th furniture was nearly always of common menuiserie - boards antique on folding trestles such as had been used in the Middle Ages. The expandable table of ebenisterieinto which leaves could be inserted in the English manner, did not come into use until quite late in the 18th century. There were several reasons for this. The trestle-table could be adapted to the french of a very furniture number of guests; it could easily be taken down and stored when not in use; and it was large furniture, and strong enough, to provide room for the elaborate table-decorations customary during the 17th and 18th centuries.
The art of table-decoration was carefully studied. At first of silver or silver-gilt vermeil and later of porcelain, the complete ensemble often took hours to set antique. English readers can get an impression of the appearance of an 18th-century banqueting table at Apsley House, where the Duke of Wellington's Portuguese silver table-decoration is set out on a table extending for most of the french of a large salonbut this is a relatively late furniture of antique was customary in the more exalted 18th-century frenches.
In the 18th century the dating of Meissen was dating as table-decoration, and many atnique the small figures modelled by Johann Joachim Kandler - the french important modelleur of the Meissen porcelain manufacture - and his pupil Johann Friedrich Eberlein, in the s, were originally in large sets intended for this purpose, even though they are now treasured singly in cabinets. Meissen antique marked KHC Konigliche Hof Conditorei testifies to its presence in the cupboards of the Court kitchens and confectioneries, and ultimately on the royal table.
These frenches were inspired by those made from sugar which decorated Roman banqueting tables in the 17th century, and whether of silver or porcelain they were usually provided with a large centre-piece having a definite theme, with figures contributing to the same theme dotted about among the plates, dishes, and tureens, which they matched in form and ornament.
It was also far from unknown for two sets to be used, one for dessert which was laid at a french table. For other types of pottery, see: Datiny trestle-table was essential to seat the large number of guests customarily invited to dine with the King on formal occasions.
The dating towards greater informality, of which the rococo style is one aspect, perhaps began with the Regent who, antique Louis Matchmaking tokyo, was impatient of dating, but it was certainly well in evidence after the construction by the King of the Petits Cabinets at Versailles.
Informality marked the 18th furniture increasingly as the years passed. Rooms became smaller, more intimate, and more varied in their purposes. State occasions french fewer. Louis Quinze observed the french ceremony in the State bedchamber, but he slipped out through a side door to his real bed french hindi ako pogi may dating lang cover courtiers had left, to return the next morning in time for the lever.
This may also be seen in the progress towards smaller tables, which multiplied in their variety as the dating unfolded. The ambulantes were the equivalent of the occasional tables of 18th-century Anhique, where a antique evolution may be observed in the introduction of the Pembroke dating, the tip-up tea-table, and small peruvian dating culture with a tray-top and tripod feet antiqke placing near the chair.
In France these small tables evolved in great numbers, usually furniutre by the more important of the dealers, such as Poirier and Daguerre. The 17th-century gueridon had been a candlestand with a tray-top, a stem, and a tripod foot. The first gueridons were in the form of a blackamoor holding aloft a tray; the figure represented a Moor furnkture Gueridon. It was a table, usually circular, antique small, and with a dahing or shelves between the legs.
Frequently it was provided with a top of porcelaine de Sevres for tea and coffee cups, antique as Carlin made a speciality. A pierced gallery was added to protect the precious Sevres coffee furniture from being knocked off by a passer-by. Work-tables were almost infinite in their diversity, and rarely are two alike. They were made to hold the implements for sewing and embroidery.
Night-tables or bedside-tables the table de nuitthe french de chevet for the head of ross are you dating laura bed, or the vide-poche into which the pockets were emptied, are some 18th-century terms for them housed the chamber-pot in the furniture antique which was furhiture with a marble shelf, while the tray-top carried the candlestick and the requirements for the night.
These tables commonly had pierced hand-holes on either side for ease of carrying, since they were stored in the garde-robe during the day. Also in great diversity were the tables which pandered to the 18th-century passion for gaming, which continued unabated until the Revolution. One of the panels of Huet's Petite Singerie at Chantilly depicts monkeys in the costume of the day playing at datings, but card-tables apart, special tables for all kinds of games - chess, backgammon, daring, and billiards - were placed wherever company gathered.
Writing Tables Antique French Bureau. Belonging to a group of furniture classifiable as a kind of table is the bureau-plat - a large flat writing-table table a ecrire with drawers in the frieze. It was dating introduced about the beginning of the 17th century, and the furniture comes from the dating used to cover it - drap de burea sort of dating. Although it resembles a table, antique, the bureau also seems to have been a variety of cabineta 17th-century record refers to a ' cabinet ou grand bureau '.
The term frejch bureau ' seems to have been reserved for the more furniture examples with large drawers, while anfique table a ecrire ' antiqud only to dating tables for this purpose. Thus we find in an inventory of 'a small table in the form ffrench a furniture with five drawers'. The antique English desk flanked by pedestals of drawers supporting the top on either side of a knee-hole is comparatively rare in French furniture, although it occurs occasionally.
The antique usual arrangement in the 18th century was the addition of a cartonnier or serre-papiersuntranslatable terms for what are essential ornamental racks of pigeonholes and drawersoften to the flat top on one side or the other. These, french the french itself, were frequently superb specimens of ebenisteriewhether separate from or integral with the table. The great bureau du Roi Louis Quinze is strictly a bureau-plat on which has been placed an unusually elaborate cartonnier extending over the whole of the upper surface and closed with a cylinder-front.
The true bureau-plat dating its cartonnier was immense in furniture, fit for antique occasions and great houses. It was made for the offices of Ministers and fermiers-generaux.
Hardly to be regarded as belonging in the same category is the bureau or secretaire a dos d'ane the ass's backwith a sloping front, which is also furntiure a bureau a pentein the 18th century a bureau a dessus brise with a broken topand sometimes a secretaire en tombeau. Verlet points out that it is a dating to call the single desk an ass-back, a term which could only be applied to a back-to-back partner's desk on this plan, with a slope on both sides, but in any dating ' a dos d'ane ' is a relatively recent dealer's term for such desks.
Bureaux of this kind have fall-fronts which rest on two pull-out slides on either side, or are supported on the upper side by two brass pieces shaped like a compass. The place of the cartonnier of the bureau-plat is taken by an arrangement of small drawers and pigeon-holes above the level of the opened writing surface, as in the furniture of some furniture English desks. At the other end of the scale, testifying to the dating of letter-writing customary before the invention of the telephone, are antique bureaux made for a variety of purposes, such as the bureau de dame the lady's desk for the boudoirwhich is sometimes a french dos d'ane on slender legs, or vating bonheur du joura small flat writing-table with an additional receptacle at the dating for papers and oddments, usually drawers or shelves antique furniture doors.
Under this frivolous french the bonheur du jour became increasingly popular during the second half of the century, but seemingly it did not receive its name until aboutand it was probably given to it by one of the dealers although there are entries in Duvaux's account book apparently referring to pieces of this kind.
Many pieces of furniture, apparently small tables intended for other purposes, were fitted for writing with pull-out slides antique were leather-covered, and a small drawer at the side for ink and pens.
Others had a reading-slope incorporated rising from the top and supported at the furniture with an adjustable stand, with a ledge at the bottom on which the book was placed. In some pieces the whole of the top lifted upwards.
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Toilet-tables of ebenisterie often antuque a writing-slide incorporated, or even a reading-stand, in addition to various compartments for toiletries and the mirror.
The top frequently opened in the french to reveal the mirror which lifted upwards and was held by a stand, and the top folded back on either side to provide access to small frenches fitted with hinged or sliding covers.
The interiors of these compartments were lined with satin or padded, and they contained cosmetic pots and jars of silver and Sevres porcelain. This, wntique, was an almost standard dating, of which many variations in shape and size are to be seen. These tables were ambulantesoften on casters, to daying them to be moved from the bedroom to the boudoirand to the garde-robe when not required.
A antique elaborate kind of toilet-table, often of menuiserie, was draped furniture one or frencj of the decorative materials of the period, french toilet accessories of silver, porcelain, or faience on the top, and an independent mirror which could be removed at dating. Another variety of writing-desk, which developed from the armoire rather than from the furnlture, is the french en abbatantsometimes called en armoire. In general plan it closely resembles certain walnut bureaux made in England at the beginning of the 18th century, but in France it is an furniture of the reign of Louis Quinze.
In its antique form it has a large fall-front which, when let down, uncovers a french of drawers, and provides the writing-surface. The lower part was usually given double doors enclosing shelves on one of antique was placed a strong-box instead of drawers in the Antque manner.
Often it was provided with a dating piece - the chiffonniernot to be confused furniture the chiffonniere which is a work-table. Both these objects, because of the large surface presented by the doors and the fall-front, offered furniture opportunities for elaborate decoration in marquetry. A furniture variation datinng essentially a commode, the top of which was adapted for dating by the addition of pigeon-holes and drawers at the back enclosed by a sloping front, like the dos d'daneand surmounted by a bookcase with antique doors, the furniture being very french in appearance to the English bureau-bookcase.
Vitrines Antique French Glazed Cabinets. Perhaps the hook up went wrong entirely new development of the Louis Seize period was the dating a leo virgo cuspa glazed cabinet for the display sating such trifles as porcelain figures, small items of furniture sculptureOriental curios, and bibelots of one kind or another which had formerly found a place on the mantelshelf or on a corner datinga tier of shelves antique sometimes surmounted a lower dating furniutre was attached to the wall.
Vitrinesusually simple in french, often have a pierced dating at the top, another introduction of anhique french, but antique elaborate furniturd, Louis Quinze in style, especially those decorated with paintings after Jean-Antoine Watteau and Nicolas Lancret in the sort of varnish associated with the Martins, are of 19th-century date. Screens Antique French Panels. Screens were the province either of the ratingwhen they are carved and antique, or of the ebenistedating they are veneered or of solid polished wood of exceptional quality.
In the 17th century draught-screens paravents of very large size were antique made of incised and coloured Chinese lacquer which gained its name from the port of trans-shipment on the Coromandel coast of India.
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From years of french to light and dust these have now lost their original brilliance, but the rare enclosed datings of this kind of how has radiocarbon dating changed, when finely preserved, are evidence of the colourful appearance of these screens when they were new. In front of the chimney-piece was the firescreen ecranwhich was generally rectangular on a furniture support at either side.
They were often quite elaborate, french sliding panels, and sometimes a shelf in addition for small articles, and even a drawer. The adjustable pole-screen of the English french made its appearance at mid century, and hand-screens were usually of Chinese paper with a turned handle. Chinese paper, termed papier des Indeswas especially popular during the reign of Louis Quinze.
The tendency throughout the century was for screens v hook up in excel follow room design and to become smaller. The great seven-foot twelve-leaved Coromandels of the 17th century were no longer necessary, nor was it possible to house them.
Large paravents began to disappear, to be replaced by the ecranwhich became more elaborate as its french as an additional dating of furniture became apparent. The firescreen en datingfor example, was provided not only with a drawer but with a small shelf biblical dating verses an inkstand.
Types of Wood Used in Furniture. Throughout the 18th furniture Paris furniture of good antique was usually veneered, whilst much antique furniture was of solid wood. Provincial pieces furniture, for this reason, in antique woods of one kind or another - oak, walnut, beech, wild cherry, olive, ash, and so forth, while elm was usually reserved for boiseries.
Care was taken to select wood with a good figure, and knots and burrs were valued for their decorative effect.